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The Suit and the Photograph
''The Suit and the Photograph'' is a 1998 album by Michael Nyman with the Michael Nyman Band, recorded in 1995. On this album, Nyman is the composer, conductor, and producer, and wrote the liner notes.〔CD booklet〕 The album contains two works, ''String Quartet No. 4'' and ''3 Quartets''.〔 The album is named for its cover photograph by August Sander, which Nyman had associated with the Michael Nyman Band since its inception in 1977.〔 He cites a description of the photograph by John Berger, in an essay of sthe same title, describing that the suits deform the working class rural men just enough to "undermine physical dignity."〔 Both of the pieces on the album originated in Japan. It is Nyman's second release on EMI and his 33rd in general, but is not designated part of a series, as EMI had done with Concertos. Said Nyman of EMI, "I didn't excite them, and they didn't excite me."〔Michael Church. "Michael Nyman: Piano, solo" ''The Independent''. Thursday, 28 September 2006. ()〕 Nyman's only further releases on EMI would be the UK edition of ''Ravenous'', featuring remixes by William Orbit, and ''The Actors'', both film scores.
==String Quartet No. 4==
The ''String Quartet No. 4'' is based on ''Yamamoto Perpetuo'', a solo violin work,〔 and the basis of ''Strong on Oaks, Strong on the Causes of Oaks''. The piece was written in 1994-5 for Camilli Quartet (headed by former Michael Nyman Band member Elisabeth Perry), who first performed it on April 21, 1995, and ultimately dedicated to the memory of Alan Bush, Nyman's composition teacher at the Royal Academy of Music after his death October 31 of that year. The main theme of the sixth movement became the basis for "Virgin on the Roof" in Nyman's score for ''Carrington'',〔 which in turn was based on the String Quartet No. 3 with which Christopher Hampton had created a temp track.
Pwyll ap Siôn notes that the viola and second violin follow a different meter from that of the first violin. Essentially, ''Yamamoto Perpetuo'' was the basis only of the first violin's part in the Quartet, while the newly composed material goes in completely new directions, even to not matching meter.〔Pwyll ap Siôn. ''The Music of Michael Nyman: Text, Context and Intertext''. Aldershot, Hants: Ashgate Publishing, 2007. pp 177-178〕
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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